It’s that time again where I try and judge what’s the best movies that came out and why. However, I apologise in advance that there are some of my guilty pleasures in here which probably would never make an official top 20 list, never mind a whole top 10! And there is no mention of the Hobbit, or Skyfall or Dark Knight – blah, blah, blah. You can catch those reviews else where. But never the less. I hope you enjoy & treat yourself to some of these movies, if you haven’t seen then!
10) PREMIUM RUSH
In pure style, I’ll start of with a biased Smizz guilty pleasure choice. Premium Rush, featuring the ever sexy Joseph Gordon-Levitt (probably why it fits in to my top 10) who is a sexy, fixed gear bike riding courier in NYC. EVERYTHING smizz LOVES. Bikes, Joe & NYC!
An action movie about biking through the streets of Manhattan is certainly an interesting idea, and may seem a bit silly, but writer and director David Koepp manages to create a fun and exhilarating film around this premise. Premium Rush is the type of movie that gets better as it goes on, expanding on its characters and creating riveting and never tiresome chase scenes. Premium Rush never takes itself too seriously, and neither should you. It’s fun, adrenaline pushed, basic at times – but it’s nostalgic directing style seems to hit it, amazing research and detail about bikes and most of all representational of riding life in the bike-lane. No breaks!
Uh-oh, another Joseph Gordon-Levitt movie. Stick with me, guys. Looper’s director Rian Johnson has removed doubts and given me hope that sci-fi in Hollywood can be more than just empty spectacle. Looper is all about dealing with the implications of time-travel, although it is very much a film about the past. The film is all about the past, how it affects the present and the future and how it drives people with the majority of the film building characters and establishing plot.
Looper is a film that goes to extraordinary lengths to leave every base covered in its quest to avoid plot holes and inconsistencies and in my mind it deals with the problems associated with time travel very well. The writing and direction are superb but another strength are the acting performances. Details from the future cities contiuing to be expanded upwards and outwards but they themselves are filled with tent cities in which a large vagrant class live are current, and believable. Life is cheap and hard in this world in which the have’s and have not’s are much more separated than today.
There is enough in the film to make to world feel as though it is our near future and the technology on display feels as though it is a few logical steps along the road. It is well designed and acted and features a wonderfully multifaceted and intelligent story which rewards patience and concentration with a fantastic ending.
There was a time when Tim Burton was systematically churning out great, original, quirky movies that endeared him to the general public and earned him a large amount of die-hard followers who hung on to every last idiosyncratic trademark. But recently, we all sigh at the same crap-kola Burton has been bringing out recently – which are adaptions of books and so forth – not his original ideas.
However, I was relieved to see Frankenweenie and thought YEAH Tim’s back on form! While the movie does not really develop its characters deeply and sometimes drops certain plot lines we would have liked to see more of, it makes up for it tenfold with the thing that Tim Burton has more of than anybody else: imagination. So many moments in this movie are truly original, clever and, best of all, funny. “Frankenweenie” is a giant tribute to old horror flicks, set against a sweet story of a kid and his dog.
We already know that Ben Affleck is better as a director than an actor. He tells a story uniquely with his own cinematic art and style. In Argo, this is a new challenge for him. Making a large and historical drama thriller. Argo is based on a declassified true story about Tony Mendez rescuing six US diplomats from Iran.
After speaking to his son while watching a movie one night, Mendez had a creative yet genius idea. He and the escaped hostages would pretend to be the film crew of a new sci-fi movie called “Argo”. With the help of Hollywood makeup artist John Chambers (Goodman) and producer Lester Siegel (Arkin), this fake crew made their story quite credible.
What’s impressive is it can balance its various tones decently without being a mess. Outside the storytelling is a solid craft. The film looks credibly retro. They obviously wanted to make everything look the same to the real life story. Argo is simply a classic. No matter how ridiculous the premise sounds, it’s still undeniably smart and spectacular.
2012 has seen a lack of great, funny movies. Sure there’s been 21 Jump Street (which was a surprise hit with me) but a serious lack of decent comedies. Take Bring It On, Glee (not in the icky cheesy way, but because there’s singing involved, the good kind), Mean Girls, and add some quick-witted, sharp-tongued dialogue and commentary, and you have the funniest of movies.
At first I was leery: a movie about A Cappella singing groups; I thought at best, it would be a teen flick. But, I was unbelievably surprised. Every kind of humour is covered here, and done to absolute perfection. You will be adopting many, many of the lines into your daily lexicon. If you liked Bridesmaids, i think you’ll dig this!
Detachment technically is a movie from 2011, but didn’t get a release in the UK until 2012. Its one of those films that leave you sitting in silence for a while when the credits roll much like excellent Dramas like “Requiem for a dream” or “Downloading Nancy”.
On the surface “Detachment” deals with the crumbling American education system through the eyes of substitute teacher Henry Barthes (played by Adrian Brody) who starts a new assignment in a new school with new teachers, in a new class with new pupils like he is obviously used to.
The beginning shows him trying to get into this new class around the bullies threatening him and other pupils, making it hard to teach anything. At first it looks like all those “good teacher turns around a bad class” movies but its not. It’s grim stuff, made more grave by the undeniable ring of truth.
The ancient Greeks tell us “we suffer our way to wisdom.” By the end of the film, you’ll hope that is true for most of these characters. Somewhere on screen, between a silent hug and the opening lines to Poe’s “Fall of the House of Usher,” you will find a glimmer of hope. But you have to work for it. A powerful and disturbing (but necessary) film.
4.) BEASTS OF THE SOUTHERN WILD
You probably have never seen anything quite like “Beasts of the Southern Wild”. It is a film that will have you thinking about the love between a father and a daughter, about appreciating what you have in life and our ability to adapt to whatever comes at us. Quvenzhané Wallis is certain to beat Anna Paquin and Tatum O’Neal out as the youngest best actress nominee in history.
This movie is an unique vision that sweeps viewers away with energy, attitude and a full, vibrant, sense of life. Containing outstanding performances, great cinematography, and a fantastic score, the film is just so engrossing. Do yourself a favor and check it out. “When it all goes quiet behind my eyes, I see everything that made me flying around in invisible pieces.”
3.) SEARCHING FOR SUGAR MAN
Thank you, Malik Bendjelloul, for giving me the opportunity to hear this amazing story. Thank you, Camilla Skagerstrom, for showing how much stunning cinematography can add to a story about a poverty stricken man from Detroit.
I was super lucky enough to see this at Sheff Doc/Fest this year. Would I have seen it otherwisE? not so sure! Which would have been a travesty If like me, and you didn’t know the story, I’ll give you just a little background. Rodriguez, a song writer/singer in the 70s was ‘discovered’ by a couple of white guys, in a smoke filled Detroit dive bar. (His music reminds me somewhat of Bob Dylan’s) A couple of albums were produced in the U.S.….the albums didn’t make it big….in fact, not many sold. Rodriguez went back to working his day job and that was the end of that. However, in the very isolated South Africa, Rodriguez’s music became a phenomenon compared to Elvis or the Beatles. His music was a solace for so many Africans fighting the war on Apartheid. Rodriguez didn’t know anything about the South Africa portion of his story. “Searching for Sugar Man” is a documentary made about two South Africans searching for information about a mysterious American songwriter, who had a huge impact on their lives, but no one seemed to know anything about.
This IS a real fairy tale. One you have to see to believe. One that can restore your faith in humanity, and possibly change the way you see fame and fortune. One that will remind you that you never know how far reaching your daily actions may be. Fingers crossed for an Oscar nomination for this!
Intouchables, directed by Eric Toledano and Olivier Nakache, starring Francois Cluzet and Omar Sy is possibly the best French movie of the year. This is not because of a lack of worthy contenders, but truly because Intouchables is that profound. It touches on themes of presumptions, social class difference, health, and as naïve as it may sound, the universality of humanity.
Sy is a failed robber, going through the motions and playing the stereotypical jobless émigré. Cluzet is a romantic and melancholy mind trapped in a useless body. The circumstances that bring them together are too funny to spoil here, but meet they do, and an awkward relationship quickly blossoms as they bring out the best in each other.
The film’s simplicity is delightfully misleading: the script is a masterpiece of comedy writing, and however good the rest of the cast is, the central duo is magical. This is one of the most unique, beautiful and honest friendships ever committed to film. It will make you laugh, it will make you cry… a delightful celebration of everything in life that makes it worthwhile.
1.) PERKS OF BEING A WALLFLOWER
I was so taken aback by this movie, EVERYTHING about it, that I saw it 3 times at the movies.
The story is very simple yet complicated because of how much goes on. But the way it unfolds is beautiful and sad, sometimes all at once. While it has its funny moments, it also manages to go through dark topics as well such as homosexuality, drugs and death. Stephen Chbosky handles his story very well, never feeling like it’s being forced but rather it flowed nicely and carefully.
Directing wise, it was shot very well. The cinematography is gorgeous, especially the scenes where the camera overlooks the skyline of Pittsburgh and during intimate scenes between the characters. You could not get anyone better to direct it other than the author himself because this is his book. This is his vision so he knows exactly how it goes in his head and we can see throughout the film, just how much his vision has truly come alive. The result is both engaging and satisfying.
The musical score is done by Michael Brook who’s also responsible for Into The Wild, another favorite of mine, and he did a very good job. The soundtrack is awesome. Along with Mr. Chbosky, Alexandra Patsavas, who’s also the music supervisor for The OC, did a great job of picking out the songs and treated it as if it were a mix tape. What makes the cast so special is the chemistry. Everyone got along so well and you can tell that they’re very comfortable with each other and you feel convinced that these people are really friends thus you actually care about the characters and what happens. It was absolutely perfect.
Just like a darker John Hughes (compliment), it is infinite in it’s awesomeness.
“I don’t know if I will have the time to write anymore letters because I might be too busy trying to participate. So if this does end up being the last letter I just want you to know that I was in a bad place before I started high school and you helped me. Even if you didn’t know what I was talking about or know someone who has gone through it, you made me not feel alone. Because I know there are people who say all these things don’t happen. And there are people who forget what it’s like to be 16 when they turn 17. I know these will all be stories someday. And our pictures will become old photographs. We’ll all become somebody’s mom or dad. But right now these moments are not stories. This is happening, I am here and I am looking at her. And she is so beautiful. I can see it. This one moment when you know you’re not a sad story. You are alive, and you stand up and see the lights on the buildings and everything that makes you wonder. And you’re listening to that song and that drive with the people you love most in this world. And in this moment I swear, we are infinite.”