The constant flowering of bohemia is not a construct of advertising, nor of the whims of a dozen infamous gallerists. It is the generational engine of youth culture, alive and well, striving at the border of the mainstream, throwing out its various statements while at the same time contributing to a community that has registeredContinue reading “bushwick biennial!”
Sculptural interventions by Michel de Broin.
Click to access FOOD.pdf download the whole publication here! ^^^^^ out of print, printed by White Columns NYC
A selection of youtube video’s i’ve found that celebrate the release of the movie FUNNY PEOPLE, released 28th august (UK) Part 2 Part 3 Part4 Part 5 You will realize of course that part 1 isn’t here…. apparently i can get it in the UK. You can try yourself on youtube
Avilable from all good bookstores such as WH Smith, borders, ect. Art of England , Sept 09 edition. Here are some bad quality images (as i don’t own a scanner!) of the interview that Nathaniel Pitt ( of Pitts Studio Gallery in Worcester)did with me about Project Biennale (www.projectbiennale.tk) and the peripheral as, well iContinue reading “Art Of England Magazine”
The Double Agent – FIRST DRAFT, NOTTTT REFERENCED PROPERLY How artistic collectivism and interventionist collaborative practices can be a confident move from Aesthetic autonomy to engagement with the social, the work place and the community. “Despite the [above] reservations a community still seems the only means by which we can overcome the extreme isolationContinue reading “The Double Agent (first Draft – NOT Referenced properly yet!!!)”
After I finished the 4 week teaching gig in Hastings last week, I got this awesome card off the kids saying thank you. That was great. What was even more surprising than that was a card and a book off my monitor. Every teacher has a monitor who takes the kids to town and onContinue reading “The Last Lecture”
The Impossible ‘Architecture’ – How artistic collectivism and interventionist collaborative practices can be a confident move from Aesthetic autonomy to engagement with the social, the work place and the community. Over the past 10 years or so, socially engaged artists have made ‘work’ that is, distributed into the public sphere using various mediums including, moreContinue reading “start of an abstract I’m working on. In The WORKS”