Somethings Take Time To See

It was around the end of 2011 when my super good friend, and great artist & writer, Paul Harrison and I got together in a Cafe Nero in Doncaster (The only place to get a decent chai-tea latte in the area at the time… maybe it still is) and we talked about how we thought new media art and ‘socially engaged’ art were crucial tools to help enable critical thinking— and therefore —- more openness.  Perhaps it could help enhance a more epistemic justice. Because gosh knows there needed to be. It was a crucial time. The Tories had just gotten into power the year before and their cutting of projects, programs, funding, closing libraries and youth centres and the trippling of universities fees was happening right in front of our eyes. Lots of protests, lots of petitions to sign in the beginning. It felt important to try and provide a place where people could connect – learn – listen – without needing much more than 10 mins. But give it light, give it time, give people a space, and elevate it.

We were sick of the insular systems surrounding the artworld (& outside in a lot of institutions) – who gets to speak and from where? Who always gets a big chunk of the opportunities and the dialogue? What kinds of voices are not as-well-acknowledged and represented as they should be? We also wanted to share people’s passions- unedited. it didn’t need to be a flow funny or deep narrative that’s curated like TED talks are (which they are). it can – and should – just be words that needed to be said. No scripts. Not really a time limit (tho for our art making needed to be around 10 mins & also increase the likilhood someone would have time to listen)

We talked at ends and decided that our individual practices might not be the vehicle for it. So that’s where we decided to create F/o/r/c/e– which stands for Free. Online. Radically. Collected. Education.

The mission: A force for good! In Italian forza means strength. To give voice across to anyone, to give strength – especially to those who don’t usually get to. And we’d create art/videos that would go with these stories/ideas/thoughts/journeys/whatever the person wanted to talk about.

We created it, together. Website, got people to provide us with their loves. wrote a manifesto. found things we thought was F/O/R/C/E-y – and then after our first video I got super sick where fatigue & pain over took my life & it lasted fucking ages, so Paul did a lot of the brunt of the work.

Time went by and then I decided that this experience and the experiences I had gained – was to be in healthcare to deal with the episetmic injustices there but also be one of the people who provide deep listening and empathy with compassion of a persons experience with illness and this treatment pathway.  I went to study radiotherapy & Paul went to Tokyo to work. We had a conversation maybe 2 years ago? Maybe it was a year ago. We weren’t sure whether we should close this project that had only just felt like it had begun, and be able to maybe do something else. I wasn’t too sure myself. Part guilt, probably from not pulling my weight as much as I would have liked back in 2012 and in 2014/5. I said, let’s leave it open. Not sure the action of closing is the right way. We did default on our website domain website payments tho. So now we lost an archive of material somewhere in the web.

And F/O/R/C/E has sat here. With cool videos on our vimeo page https://vimeo.com/user15467645 – a twitter page full of incredible links – archived stuck in a set of time https://twitter.com/FORCElectures (not sure i’ll be able to re-open this account as our email is long dead).

But I realize under this year’s events – in particular (though we did start it in the upheaval of austerity Britain) – we need something like F/O/R/C/E more than ever. We need spaces away from the oppressive & recessive histories and structures that crush voices, that tell people that their thing or stories are that that ones no one wants to hear about.

We need Spaces to document these turbulent times – whether its a pandemic or a call for equity and epistemic justice.  We want to make art with a persons talk – to show that it deserves attention.

The core of most of our problems in society today, whether its care experiences in healthcare, or Brexit, or racism, or kids not paying attention in school, etc – is that people want to feel like they’re being lustened to – and feel valued. that they have your attention. So many of us feel unheard and it’s a harm. These harms come in many forms – either hermunatically or testimonially  (predominately) – and if we keep on ignoring the and changing the structures that keep alowing such harms than i feel like it will continue to get worse.

and I think F/O/R/C/E is one of those many spaces here, and to come, to help house and store and share and platform this stuff / these experiences. It reminds me a lot of how we’re taught these days, and how systems and money is used, that everything needs to be spent by the next finacial year – that courses need to be complete in x amount of months. We give up when we don’t see results after so long. We might be forgetting the joy and the revelations in the long game – and this reminds me that we can not rush things – especially when they involve listening. For listening and really hearing are timeless.

So it’s now my turn to carry most of our next engagements/work forward. I’m going to recollect all our bits together – and the content will likely be slow and steady – but that’s because deep listening takes time. I hope you’ll follow along.

I’ll leave you with Paul Harrison excellent essay post about it from 2014 on the excellent Aesthetics of Protest site:  http://aestheticsofprotest.org/force-lectures/

And I hope you’ll give our Facebook page a like if you haven’t already F/o/r/c/e

Here’s some videos we made for peoples stories/ideas/journey/thoughts/experiences

Ashley Holmes, ‘Nothing To Lose’ F/O/R/C/E from F/O/R/C/E Lectures on Vimeo.

Yvonne Yang Guang – ‘The Stingy Artist’ -F/O/R/C/E from F/O/R/C/E Lectures on Vimeo.

 

More videos here: https://vimeo.com/user15467645

(photos from my wordpress archive in  2011, ha!)

Looking For The Helpers

When we look across the world, we see a scenario that I don’t think we ever really thought we’d see. The world is shutting its doors to keep out an enemy it cannot see, smell or hear.

Now, some of us have waited our whole lives for state sanctioned introversion. One of my favourite books is the “Shy Radicals”. Yes please thankyouverymuch. But now that the option to come out of ourselves has been removed it doesn’t feel good. It doesn’t feel very good at all. Perhaps we have more in common with those folk who move through the world as if it were an amusement park. We’re just not very good at parties. But now there aren’t any parties to go to anyway.

And suddenly, I dunno about you, but I could do with a legendary house party, 1 of those ones you end up talking about for life.
None of us have any real idea of what is about to unfold, or how long this unfolding will take. Some of us are living week to week, pay cheque to pay cheque. We may be working from home, but only for as long as the companies we work for can keep going. We may run businesses that are trickling away before our very eyes. Some of us may have seen our (very small) savings – everything all those years of slog and sacrifice were meant to be worth it for – slip like sand through an hour glass in just a fortnight. Some of us may be ok. But if we don’t know what it is to come, how can we know for sure?

Here’s the thing about all of this. It’s a WE thing. Because for once in human history, every single one of us is affected and we are all in this together. And not in the way Conservative party says.

Not a single one of us can come away untouched from this – not even the millionaires and billionaires and government officials and beyond.

We are humans. We do some shitty things, but we also do some amazing things like: people continuing to be there on the frontlines to keep things moving as they should, and saving peoples lives. also we make some amazing art & music & scientific amazingness, and figured out that as well as making some excellent cheeses, mould can make life saving drugs. We also like to dress our pets up in clothes.
Right now, as I see it, we can only control ourselves. Everything else is out of our jurisdiction – but isn’t it always that way, much as we like to convince ourselves otherwise? So with that in mind, we have to sit this out. Take care of ourselves and each other as best we can. Eat well. Brush our teeth. Get some rest. Watch the bare minimum of news. Concentrate on only each day as it comes. Add gin where necessary.

Do what we can.

Those of you who can do basic lonely exploration – some how without much close physical contact- can you check in on neighbours and old folks and those who are super vulnerable? People are frightened, and rightly so – but as Mr Roger’s – the dude my friend  Colleen told me a lot about last summer – those who are uncertain – look for helpers, & those who aren’t *as* vulnerable & understands fully what’s going on or has something that is of use to other: BE the helper.

These are the moments that frame and create who we are, and how we will be looked back upon in history – And I want us to be collectively responsible (staying in, not doing anyyyy unnecessary socializing etc etc ) and being compassionate (understanding that if you go out in a massive group – you’re putting loads of people at risk/ understanding people are frightened and figuring out how to help others).

Suffering together, but together in kindness and support (at good distances, off)

In the meantime, let’s keep each other company (online and in fun creative different ways).

Stay well, and stay lucky.

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If you end up having to be isolated at home

Being sick – chronically – on and off in severity has made it that I too have had my fair share of endless isolation.  Some of it in an attempt to not catch anything from others, most of it because I had NO energy/too much pain to do anything, or to try and leave the house.

Having a day or 2 off from work seems at first a luxury. But when you know that you can’t really leave the house – it does start to feel – FOMO-y — starecrazy — what to do? What are you missing out on? As humans we are naturally supposed to socialize, be a community. Without others we begin to feel lost. Happiness only really exists when shared. That’s why loneliness is such a killer and a huge issue.

It’s probably the best time ever – in history – to be self-isolated.  You can do online shopping, have endless libraries of music, movies, shows, audio books, e-book, journal articles, random youtube videos & tiktoks. You can get your food delivered, do your HIIT work out in your living room, take up gardening if you are lucky enough to have a garden, learn how to draw or play the guitar by following online tutorials. You can finallllly get to the time to read those books that are piling up on the bedside cabinet.  and we can video chat to friends & family, or endless messages to one another if we so wish.

But with this comes great responsibility. Endless news streams on TV can become doom & gloom. Sending people who are already struggling into anxiety.  Many of us – who are on zero hr contracts, or causal contracts, or self employed will be worrying about money if we end up having to be isolated.   Many of us will have loved ones (or are in) a high risk catogery and we will be worrying about them, and the people on the frontline. We can sit down to watch a show – and waste a whole 45 mins deciding what we want to watch because in many ways – there is too much choice. or the illusion of such. sometimes we want to read but our brain feels too fuzzy to concentrate.

So this here is my crib-sheet to maximizing time – coming with good recommendations. a So you can maybe hoepfully be able to cut out some of the anxiety and indecision and begin to enjoy some of this extra time. The extra time gained from not being stuck in traffic, not being on an endless delayed northern rail train home, not being stuck in a meeting that never should have been a meeting.

I hope you’ll enjoy the Smizz fun/hopeful/uplifing/easy to engage with recommendations!

 

TV SHOWS

Parks & Rec – Amazon Prime/ NowTV / Sky –  A CLASSIC: People going out of their way to help each other. It doesn’t get any better than that.

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Sex Education (Netflix) – The second season builds on what made the first series so good. It’s confident, funny and surprisingly deep.

My Left Nut (BBC Three, iPlayer) – About a teenager who realises that he has an enlarged testicle. It morphs into a tender, heartfelt drama about grief and anxiety, and how your family will stick by you through the bad parts as much as the good.

Brooklyn Nine-nine (Netflix, 4OD, SKY) – NINE-NINEEE! you can re-watch, over and over any episode – but you will laugh and you’ll love every single character & the jokes never get old. What can I say, Michael Schur is an incredible empathetic comedy writer.

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The End of the F**king World (All4) – My friend Helen says she loved this show. So I gave it another chance, & realized its perfect for these times.

Midsommer Murders (ITV2, BritBox, ITV Hub) – My mom love to watch this show – not particularly because it’s good – but because it’s kind of ridiculous, which makes it funny ( see Martina mcutching get murdered by cheese in series 18) & it’s a really good game if you’re watching alongside others to figure out who the murder is – and even harder – what is their motive!

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The Bold Type  (amazon prime S1-3)- fans of The Devil Wears Prada-meets-Gossip Girl-meets Ugly Betty – will LOVE this. It’s hard not to love the characters. why do i love this show? its portrayal of the refreshingly supportive friendship of its three protagonists, as well as its frank look at complex contemporary issues like #MeToo, reproductive rights and of course all the drama that goes with being a twenty-something building a career and looking for love in New York City.

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Ugly Betty (S1-4) Amazon Prime – Of course, I can’t miss this off the list. I LOVED this show so much when it first came out in 2008 when things all felt uber hopeful. Betty will make you believe again. I watched this show, and saw my own struggle – how do you enter a highly elitest, competitive, expensive cultural field such as fashion (art) and keep your own values, sense of identity without doing your own heritage and diversity down. What does that elitism do to us culturally? A show so woke before its time – it could have been written yesterday & not nearly 10 years ago – and it’s wild to think these issues have barely been solved since. It’s high energy, bright clothes, lots of melodrama, best written characters and BIG DREAMZ OPTIMISIM DOING THE RIGHT THING energy-vibes are just what you need.

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Instant Hotel (Netflix) – I watched this when I was super sick as just something to fall asleep to. Before I knew it, i had blasted through 2 seasons. I wish I could get to see a 3rd season. Think 4 in a bed, meets changing rooms. IN a hot austrialian climate with people wanting to have the best airBnB basically,

The Great British Bake Off – (4OD, Netflix) – There’s never been such a more pure TV show. A competition but ultimately a group of people who love baking end up being awesome friends! Delicious food, super funny outcomes, great team work, bit of the best of britishness – Raising money for stand up to cancer episodes are sooo good & I think the New Years 2020 Derry Girls episode is the best in history.

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Derry Girls (S1+2 4OD, S1 Netflix) – Another wholesome amazingly written comedy. The specific setting gives Derry Girls its extra layer of complexity, as well as some of its funniest lines. By and large, life in all its unimaginable and bizarre glory goes on. The writing by creator Lisa McGee is top-notch, the show’s searing one-liners and tonally perfect ’90s soundtrack as fantastic as its predominantly female cast. The series maintains a reckless and irreverent tone and is never weighed down by politics or nostalgia. But it will take you back to growing up in the 90’s, early 00. And you’ll love every second of the show but it goes past way too fast.

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HOME – (s1+@ 4OD) – A comedy series written by and starring Rufus Jones deftly gets to the essence of home and family through Syrian asylum-seeker Sami. One of the issues with Brexit, and austerity etc is that we don’t really have touching cultural examples of it. It’s not really on TV or in the movies. But HOME does, and it does it so-so well. It has the potential to turn those Daily Mail readers into opening their homes to refugees.   This show shows the very worst and very best parts of living in the UK. It makes you route for everyone. And it’ll make you laugh and cry.

Please Like Me (Amazon Prime, netflix with a VPN) – Spend enough time around the show and it starts to grow on you in a mainstream 80s BBC sitcom kind of way. It’s a wry, down-to-Earth and often-moving account of how relationships with friends and family evolve as we grow into adulthood. Watch it for the real, difficult, compassionate Josh’s role as a young carer. Start it and stick with it.

Special (Netflix) – i freakin’ love this show. Masterful in 15 minutes bursts – which makes it one of those perfectly lengthed shows to watch before you go to sleep. aside from the show  is vastly significant in terms of what it does for representation in the mainstream culture, provides me, and other disabled and marginalized people, with a much-needed piece of representational belonging. It’s so loving and thoughtful, and ultimately it is not about accepting oneself. It is about showing oneself as you are.

Schitts Creek (Netflix, 4OD) – Maybe the most perfect comedy of our time? Every person in this show are the best.  As the series goes along, it’s less about class difference and more about a place where community welfare flourishes outside traditional systems of power.

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MOVIES

Love, Simon (Sky) 2018- At its heart, this is simply a story about love and tolerance and honesty, and told with a perfect dose of each of those things. You can watch it & it’ll remind you so much of growing up. What really makes this film a feat of queer cinema is how ordinary it is. It’s a love story between two men, but without tragedy and angst, seeming quite radical for how sweet it is. Dope soundtrack.

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I LOST MY BODY (Netflix) 2019 –  A disembodied hand tries to make its way back to its owner while a young man searches for connection after a traumatic event. It mixes brilliantly creative action and horror sequences with tender heartbreak and life-affirming drama. Go watch on Netflix!

THE REPORT (Amazon Prime) 2019- So, yeah, maybe I really love movies about people obsessed with the truth who fight institutions trying to hide it. Burns said the film is about our current “crisis of accountability” and it’s rare to come across a film that’s as involving as it is necessary. One for the times! It’s brilliantly engaging.
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Late Night (Amazon Prime, Sky, NowTV) 2019- Thompson and Kaling don’t even need to be acting here. Like all women, they’ve long had to navigate real-world misogyny. But they also know how to find the humor in it. An important movie that looks at the issues of sexism in comedy (& entertainment industry generally) but with a good laugh.

Booksmart (Amazon Prime) 2019 – An underrated awesome movie. Underrated because it’s about 2 strong girls. It’s more John Hughes than Judd Apatow, and it’s a little more Bridesmaids than Lady Bird. Booksmart is feminist, foul-mouthed and funny, turning the formulaic tropes of bawdy comedies inside out and giving us a couple of teen heroines who feel real and very 2019. It felt new from friends at the centre of the story to the celebration of female intelligence, ambition and loyalty.

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Finding Your Feet (Amazon Prime, Sky, NowTV, Netflix) 2018 –  I accidently watched this on the plane to the USA – when it told me it was a comedy. And it is. But it’ll also make you cry.  Watching it demands little effort. Evict your inner cynic and enjoying it should demand even less. It’s a bit sentimental, but I am *SO* there for it. The bright and funny first half examines issues affecting older people which are often ignored; The second is about making sure you don’t regret how you’ve spent your time.

Chef (Amazon Prime, Netflix) 2014 – an enjoyable and good-natured farce is a rarity in that (as its title tells us) it takes a chef as its central character and treats his profession with something approaching respect. The result is a small, unashamedly feel-good film that makes up for what it lacks in dramatic jeopardy with gentle comedy, heartwarming family scenes, ladles of food porn, and time spent among characters you like.

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Paddington (1&2) (Sky, NowTV & Amazon Prime) (2015 & 2018) – I’m not being ironic or weird or contrarian – but Paddington movies are some of the best movies of the past 10 years. It is simply (Pad 2), without hesitation, was my favourite film of 2018. It’s an eye-popping, laugh-out-loud, clockwork-constructed endorsement of kindness, forgiveness, and good ol’-fashioned human empathy. Or… ursine empathy.

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The Green Book (Amazon Prime, Sky) 2018 –  roast me for this, but I don’t care. A by-the-numbers studio movie and the numbers are great. The interplay between the two leads is a fantastic and familiar dance; every detail is exquisitely rendered.

ROMA (Netflix) 2018 – A bracingly human story set against abrupt, nearly-surrealist acts of God and society. The cataclysms only serve to underscore the fragility of the world and the strength of our personal bonds. Sad I never got to see it on the big screen myself.

 

PODCASTS

Alex Edelmen’s Peer Group – https://www.bbc.co.uk/programmes/b08smc1c – Alex is maybe one of the best comedians of our generation and he’s just getting started. This is such a great comedy podcast that looks at issues surrounding Millenials specifically, he does quite a bit from his current set on his current tour within some of the episodes, so worth a check out for that alone!

The News Quiz – https://www.bbc.co.uk/search?scope=sounds&filter=programmes&q=News%20Quiz&suggid=urn%3Abbc%3Aisite%3Acurated-m-o%3Anews-quiz  – every friday night – i look forward to catching up with comedy and news. takes the edge off. 

No Such Thing As A Fish –  https://www.nosuchthingasafish.com/
Could this be the best Podcast ever? Want some crazy facts to give people randomly but enjoy them in a bask of comedy discussion? This is for you. Plus there’s 300+ episodes to go through.

My dad wrote a porno – https://open.spotify.com/show/6nYCARKKZ5UvaUedL6KEu3 A series in which Jamie Morton reads out chapters from the erotic books his 60 year-old dad has written.

 

MUSIC

WORKIN’ FROM HOME PLAYLIST

Here’s my work from home playlist – it’s collaborative – so you can your own tunes to it. But the only rule is the song has to be your best/fav songs since 1990 onwards.

 

RUNNING PLAYLIST

If you’re going to go for a run. here’s my 10k inspired playlist that’s long enough to run a fast marathon

JAPAN VIBES

studio ghibli soundtrack amazingness to feel sad, happy, and relaxed all at the same time

 

THE RISING GIRLS CLUB

A playlist to help inspire all you females out there. You’re strong and you’ve got this

 

I’ll update this as I go along, but I hope this helps!

Remember- wash those hands often and super well. Stay safe and keep checking on neighbours and those who need extra help. And reach out if you feel everything is getting too much.

Smizz’s top movies from 2015

So each year I do my top 10 movies. 2015 has been a great year for females. So many strong female-led movies. And it’s about time!

I love going to the movies, i love the anticipation of waiting to see a movie. However, this year I didn’t get much opportunity to see as many arthouse flicks as I would have liked, and this top 10 list reflects that. Now, each movie in my top 10 has a place – for it’s individual reason. So it might not be the *GREATEST* movie of the year, but it certainly achieved something for me in an area such as character development, or dialogue, or cinematography. ect. Sooo wasting no more time.

 

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10.) Mad Max: Fury Road.  Unhinged, high-octane vehicular mayhem. A tough-as-nails postapocalyptic feminist heroine bitingly portrayed by Charlize Theron. (And hey, Tom Hardy was pretty good too as the titular hero.) A crazed ride into a monumental, lightning-etched storm with the pedal all the way to the metal while a war boy howls “Oh, what a day … what a lovely day!” Unforgettable movie moments are made of this. And to think the picture was made by a director in his late 60s. George Miller, you are the (aged) man for the ages.

 

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9.) Carol. A breath-takingly beautiful cinematic journey of a forbidden love. Filmed as if an Edward Hopper painting had sprung to life, its mood washes over you in an evocative mix of opulence and despair as it dizzyingly dances with the forbidden. Some of the best scenes are filmed from the perspective of a person looking through a car window. 2015’s best romance.

 

 

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8.) Tangerine. This movie feels the most 2015. Shot entirely on iPhones and with a budget that wouldn’t cover cab fares on a blockbuster, Sean S. Baker’s indie dramedy makes virtue of necessity. Compelling filmmaking, too, in this Sundance sensation about transgendered sex workers, a pimp, cabbie and angry mother-in-law in lowdown L.A. Doing whatever it takes to make the invisible, visible.

 

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7.) JOY: Joy can be viewed as a modern day rags-to-riches fairytale. It’s Cinderella without the prince. In a way, that’s part of the film’s charm. Sure, there’s preposterous dialogue, but there are also so many electric sequences that made me lean in, smile, & care about a mop. It does give hope showing that no matter how one does struggle in life miracles of success are possible, so don’t read all the bad reviews and assume otherwise.

 

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6.) Steve Jobs. Side-stepping arguements about the accuracy of the biopic, the real achievement here is making cinema out of material that isn’t even a stage play as much as very expensive radio: a battery of dialogue, unbroken by reflective pauses or even, on occasion, the actors drawing breath. The staginess of the movie is its greatest benefit, allowing the characters and the dialogue to shine. Boyle, however, is not a director to be contained in dry rooms, and he allows this theatrical drama to move, via music and editing, into the realm of real cinema. It may be stagey, but make no mistake, it crackles and moves like a motherfucker.

 

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5.) Spy. Now i love a good comedy, but great comedies are hard to come by these days – and I feel like there’s less and less comedies being made due to their hard task. Spy makes making seemless comedies look super easy to make. Feig keeps his Spy machinery cranking so smoothly that nothing said or done feels as outrageous as, in fact, it is. McCarthy is the star of the film, but her willingness to let her fellow actors shine when an opportunity knocks to give the audience a belly-laugh is clear, and it’s the undeniable strength of the supporting cast that makes Spy a strong a film.

 

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4.) AMY. I was taken aback by how well an thoughtful this documentary was made. Watching Kapadia’s film, it is possible to see how badly she was let down by the male figures closest to her. it’s the music that suddenly feels monumental because somewhere in that dark stream of rolling notes and rumbling minors, we can hear the eternal soul of human sadness turned, for a brief moment, into something undeniably beautiful.

 

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3.) Inside Out. It’s an emotional rollercoaster, and it’s one of pixar’s finest. It takes a long walk down an infinite pier of personal identity in,  an animated tour of developmental psychology that captures the pain of growing up using primary colours and Amy Poehler’s voice.  As for visual style, it’s dazzling, flouting CGI’s tendency to photorealism in favour of overt cartoonishness in a 1950s retro vein, together with a refined exploration of light: the emotions are composed of fibrous bundles of luminescence.

 

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2.) 45 Years. An inner drama, taking place inside the characters. There are no heroes or villains in this film. Shot with loving attention to the silent vistas of the English countryside, 45 Years conveys a sense of isolation, of two people being together yet growing apart, a dream that has been shattered, and a lifetime of security undermined by a moment of doubt. It is a thorny subject but beautifully told with gentleness and love. Plus 2 outstounding performances.

 

 

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1.) The Martian. I actually can’t stop thinking about this movie. A fan of the book, I wasn’t sure how the motion picture would compare, and indeed make the main character-likeable. But yeah, there’s flaws. But there was something about The Martian that captured the 12 year old in me. Damon makes the most of this “me time”, engaging our interest, winning our sympathy and teasing our anxieties about his perilous predicament. Whilst the most surprisingly element about this movie was the screenplay.  What makes the movie unique to me was Watney’s optimistic point of view. He believes that he isn’t going to die on Mars, and this transforms this rather depressing situation into something comical instead, engaging us with many self-help survivalist discoveries. But when you really think about it, this is a very personal film about some people coming together to save somebody. That’s it. And in today’s world, it’s nice to hear an story about people coming together to save one of their own. It might take all the romance out of Mars, but substitutes in its place science, cooperation, and human perseverance. PS: You should read the book too – and check out the author’s videos on how everything is correct including the astrophysics!